Part of connecting image 12-17, 1985-87

 

CONNECTING IMAGES 12-30

 

PDF

12/2011

 

Connecting image 12 C (the beginning of 7 B at a more advanced stage), minimal explanations and the image, horizontal = vertical, 1m, 1985-87.

650 x 14000

1.0 et 1.12 mb

T Fr 2

PDF

3/2011 

Connecting image 17 B, study for the end of 12-17 C.

750 x 10000

870 et 838 kb

T Fr 1

PDF

3/2011 

 

CI 17 B, The Spokesman-Review Spokane Chronicle, critique of an art exhibit that contained 17B, Visual arts by Kathy Brainard Cook, May 17,1987, (2 jpegs).

1000 x 1600

460 kb

 

 

PDF

3/2011 

Connecting image 12-17 C, minimal explanations of the links between the images, 41m, 1985-87. The use of images next to smaller or larger or inside others...

750 x 14000

953 et 769 kb

T Fr 2

HTML

3/2011 

 

CI 12-17 C, expansionist thinking, minimal explanations of flat images used for the creation of the sphere...

 

319 kb

 

 

PDF

3/2011 

CI 12-17 C, expansionist thinking, minimal explanations of flat images used for the creation of the sphere...

800 x 11500

682 et 564 kb

T Fr 1

PDF

3/2011 

 

CI 12-17 C, the image, each form prepares the following ones like in unified music.

750 x 30000

1.24 mb

image

 

PDF

3/2011 

CI 12-17 C, excerpt 1 (drawings and paintings).

800 x 12000

1.22 et 1.24 mb

T Fr 1

PDF

3/2011 

 

CI 12-17 C, excerpt 2, examples on how to connect different elements in order to lower the brain activities, etc.1980s.

800 x 11000

775 et 808 kb

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PDF

3/2011 

 

CI 12-17 C, excerpt 3 (drawings and paintings).

800 x 9500

901 et 931 kb

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PDF

3/2011 

CI 12-17 C, excerpt 4 (drawings and paintings).

800 x 12000

1.31 et 1.32 mb

T Fr 1

18-23C-Unique-125x99

PDF

11/2014 

Conecting Image 18-23 C, "Expansionist thinking", this connecting image is the continuity of 12-17c and was created from scratch. Each line, curve, form, blend, color, light, is designed to complement the expansionist sphere (a fluid marriage of the vertical with the horizontal circle). Each form prepares the next one, same principle as with unified music. Its organization aims at eliminating time or going beyond the physical presence of the image. Dry pastel, 1988-89. 

600 x 30000  

partial visual explanation "organization" images 4,5,6 in the PDF.

611 kb

image

 

PDF

4/2010

Connecting image 24 C (village dedicated to sports. The use of non geometrical forms next to others that are used for continuity, of the line in a pure form, of the movement, of the curve, 1988-89, etc.

750 x 14000

1.12 mb

T En 1

 

 

PDF

4/2010

CI 24 C (image only).

CI 24 C, 3 D excerpts total organization 21, 22.  

750 x 25500

870 kb

image

 

PDF

4/2010

CI 24 C, excerpts 1 (drawings, paintings, total organization).

800 x 14000

1.31 mb

T En 1

 

PDF

4/2010

CI 24 C, excerpts 2 (drawings, paintings, sculptural organization). 

800 x 14000

1.76 mb

T En 1

 

PDF

4/2010

Connecting image 25 C. Similar to 24 C, more advanced use of the curve, 1988-89, etc.

750 x 14000

1.13 mb

T En 1

 

PDF

4/2010

CI 25 C (image only).  

750 x 25500

735 kb

image

 

PDF

02/2012

CI 25 C, excerpts (drawings and paintings).

 

800 x 14000

1.72 et 1.74 mb

T Fr 1

PDF

11/2010

 

Connecting image 26 C, minimal explanations, 1990. Visit of a parallel center organized according to the seasons (buildings, vegetation, roads, swimming pool, rooms, cafeteria and meditation room), no cars were to be allowed on the grounds.

750 x 14000

511 et 977 kb

T Fr 1

 

PDF

11/2010

CI 26 C, excerpts (drawings and paintings).

 

800 x 12500

1.47 et 1.49 mb

T Fr 1

PDF

11/2010

Connecting image 27 C, minimal explanations, 1991. The use of blue purple next to red purple...

750 x 14000

970 et 965 kb

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PDF

11/2010

 

CI 28 C, minimal explanations, 1991. The remaking of  CI 27 C, done instantaneously to see what would it would look like...

800 x 13000

847 et 867 kb

T Fr 1

PDF

4/2010

CI 27-28 C, image only.

600 x 19500

886 kb

image

 

 

PDF

11/2010

CI 27 & 28 C, excerpts (drawings and paintings 2 D - 3 D).

800 x 12500

1.51 et 1.47 mb

T Fr 1

PDF

11/2010

CI 27 C, excerpts 1 (drawings and paintings 2 D - 3 D).

 

800 x 12500

1.85 et 1.55 mb

T Fr 1

PDF

11/2010

CI 27 C, excerpts 2 (drawings and paintings 2 D - 3 D).

 

800 x 12500

1.61 et 1.41 mb

T Fr 1

PDF 02/2012

Connecting image 29-30 C, minimal explanations, 1991-92. Transition from figurative to the pure geometry…

750 x 14000

1.0 et 1.14 mb

T Fr 2

PDF 02/2012

CI 29-30 C (image only).

600 x 16500

942 kb

image

 

PDF 02/2012

CI 29 C, excerpts (drawings and paintings).

 

800 x 12500

2.13 et 1.90 mb

T Fr 1

PDF 02/2012

CI 30 C, keys, minimal explanations, sculptural organizations 15, 17, 71 et 72 (tilleul / pine / masonite).

800 x 11500

1.70 à 1.37 mb

T Fr 1

PDF 02/2012

CI 30 C, keys, sculptural organizations 15, 17 (tilleul/pin/masonite).

800 x 14000

1.33 à 1.68 mb

T Fr 1

 

Inside the above PDF CI 30 C, keys...

 

 

   

lawson-27x-Teton

PDF

10/2011

EXHIBITIONS

17

(768x1024)

   

2.27 mb

T Fr

En 1

 

 

CONNECTING IMAGES (31-40, 48-50, 57-60)

NATURAL CONNECTING IMAGES (56, 61-70)

e56,61-70-(50x850)

 

CONNECTING IMAGE 71

e71-(50x850)

enc63A-As(76a)devant-front 

PDF

8/2013

Connecting image 71A(1a) As76, this sculpture - temporarily entitled “Guardian of the Golden Rule” - and the connecting images 61 and 62 influenced this connecting image 71. The images are views from the front and above.

1000x14000

1.40mb

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enc63A-As(76a)angle 

PDF

8/2013

Connecting image 71A(1b) As76 (continued), the images are views from different angles. More information in 2018.

1000x14000

1.33mb

 

EXCERPTS from 1-30, 31-40, 48-50, 57-60 (sculptural & total organizations)

extraits-1-60-(48x850)

COMPARISONS 41-47, 51-55, and TRANSITION versus man-made 1-

COM-tout-45x850

CONNECTING IMAGES (1-11)

 

Sensory information of everyday life is the accumulation of personal experiences and those shared with others.

Theory: Unified sensory information of a parallel environment that lets the participants progress toward knowledge.

Theory: Disconnected sensory information of a non parallel environment that forces the participants to almost constantly try to find the parts that can ease passage between the unprepared oppositions (the "anything goes" or almost).

Wishing you unified sensory information,

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