intro-evo-1-11

Excerpt from connecting image 3, oil #117 (68 x 142 cm)

CONNECTING IMAGES 1-11

 

 PDF 9/2007

Connecting Image 2 A, minimal explanations and the image exhibited, 58m, 1977-78. Transition from small to large, very dark to very light...

800 x 14000

1.07 mb

T Fr 3

 

PDF 01/2011

 

Connecting Image 3 A, explanations of the first part (the browns) and image, 1978. Introduction of small images inside others that serve as continuity and key to future images.

800 x 14000

1.02 et 1.16 mb

T Fr 2

PDF 02/2012

Connecting Image 3 A, excerpts (drawings and paintings).

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1.0 mb et 927 kb

T Fr 1

PDF 02/2012

 

Connecting Image 4 A, introduction of small images inside others, aimed at reproducing 360 degrees rotations... 1980.

800 x 10500

1.27 et 1.23 mb

T Fr 2

PDF 02/2012

 

CI 4 A, (image only).

CI 4 A, 3 D excerpts total organization 5, 6.

800 x 9000

681kb

image

 

PDF 02/2012

 

CI 4 A, excerpts 1 (drawings, paintings, total organizations), 1980s.

800 x 12500

 

1.71 et 1.33 mb

T Fr 2

PDF 02/2012

 

CI 4 A, excerpts 2 (drawings, paintings, one total organization and stained glass), 1980s.

800 x 12500

 

1.82 et 1.63 mb

T Fr 2

PDF 02/2012

 

Connecting Image 5 C, the continuity of the small images inside  others is more pronounced, and spontaneousness becomes the first of several stages of polishing… 1980.

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1.48 et 1.87 mb

T Fr 2

 

PDF 02/2012 

CI 5 C, (image only).

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818 kb

image

 

PDF 02/2012

 

CI 5 C, excerpts (drawings and paintings), 1974-84.

800 x 12500

1.44 et 1.64 mb

T Fr 1

PDF 02/2012

 

Connecting Image 6 B, three proposals for a government project. The second proposal became CI 6. It was influenced by CI 4, 1980.

800 x 14000

2.25 et 2.38 mb

T Fr 2

 

PDF

3/2010

Connecting image 7 B, minimal explanations and the image, 5m, 1981. Unique organization of the motion of a form (horizontal = vertical).

750 x 14000

1.16 mb

T Fr 1

 

 

PDF

3/2010

CI 7 B, keys & exceprts, minimal explanations and images. 3 D excerpts total organization 14, 16.

800 x 11000

1.25 mb

T Fr 1

 

PDF

3/2011

Connecting image 10 B, minimal explanations and the image, 14m, 1984. 3 D is enlarged using 2 D. New technique of drawing...

800 x 14000

585 et 520 kb

T Fr 2

PDF 02/2012

 

 

CI 10 B, keys, sculptural organizations 19, 20, 21a, 21b, 30a, et 30b (tilleul / pine), 360 degree views (front/back and different angles) 1980s.

800 x 14000

1.0 à 1.65 mb

T Fr 2

 

 

 

 

 

 

 

PDF

3/2011 

CI 10 B, keys & exceprts, minimal explanations.

800 x 12500

1.21 et 1.09 mb

T Fr 2

PDF

3/2011 

CI 10 B, exceprt, AS 75a Traveling family, front views.

1000x14000

2.28 et 2.25 mb

T Fr 1 a,b

PDF

3/2011 

CI 10 B, exceprt, AS 75a Traveling family”, views from an angle.

1000x14000

2.41 et 2.39 mb

 

PDF

10/2011

EXHIBITIONS

17 (768x1024)

   

2.27 mb

T Fr

En 1

 

 

CONNECTING IMAGES (12-30)

CONNECTING IMAGES (31-40, 48-50, 57-60)

NATURAL CONNECTING IMAGES (56, 61-70)

e56,61-70-(50x850)

 

CONNECTING IMAGE 71

e71-(50x850)

enc63A-As(76a)devant-front 

PDF

8/2013

Connecting image 71A(1a) As76, this sculpture - temporarily entitled “Guardian of the Golden Rule” - and the connecting images 61 and 62 influenced this connecting image 71. The images are views from the front and above.

1000x14000

1.40mb

T Fr-En 1

enc63A-As(76a)angle 

PDF

8/2013

Connecting image 71A(1b) As76 (continued), the images are views from different angles. More information in 2018.

1000x14000

1.33mb

 

EXCERPTS from 1-30, 31-40, 48-50, 57-60 (sculptural & total organizations)

extraits-1-60-(48x850)

COMPARISONS 41-47, 51-55, and TRANSITION versus man-made 1-

COM-tout-45x850

 

Sensory information of everyday life is the accumulation of personal experiences and those shared with others.

Theory: Unified sensory information of a parallel environment that lets the participants progress toward knowledge.

Theory: Disconnected sensory information of a non parallel environment that forces the participants to almost constantly try to find the parts that can ease passage between the unprepared oppositions (the "anything goes" or almost).

Wishing you unified sensory information,

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