1 2 25 3 4

"Visual diary" excerpt from connecting image 18 C, oil 116 (81x81 cm)



mean the combination of several images whose connections between themselves result in one single image, called a connecting image, creating a new unified sensory information approach. 

Most of these connecting images are created from scratch or nothing. Each line, curve, form, blend, color (Parallel/Expansionist ©) light, is designed to complement the expansionist sphere; a fluid marriage of the vertical with the horizontal circle. To let the thought process move within the sphere freely is a priority. The visual sensory information of these connecting images aims at reaching a dimension free of material conflicts as explained in the “Mass in B minor” of Bach or the late quartets of Beethoven... 

Their evolution - passage of from static to expansionist thinking - leads to the discovery and clarification of parallel environments. These virtual images are used for explanations and the visual experience can be compared to viewing from the outside while being unable to live the timeless dimension of the originals. Several years of solitary research were necessary to be able to find an alternative to the broken sensory information of the present manufactured world. The results are objective combinations selected from the infinite number of possibilities of color and forms.  

The color images are classified as parallel because each element uses only one family of colors. The various elements complement to create unity. The colors of the virtual images are not the same as the originals because the virtual technology mixes black with the colors. No black was used in the originals and several use pure color at a level as high as 95%.   

They were all handmade, with the exception of #10 (conceived partially with an electric tool - new drawing technique -), and #61-62 (natural environments).The techniques used:

Drawing; lead, dry pastel (to have developed a highly communicative technique), colored pencils…

Painting; oil…

Sculpture; wood, #63. 

Virtual; 2 D…     

Their format varies between 5 - 223 cm in height and 150 - 4100 cm in length. In this presentation it can vary from 1000 pixels in height to 12500 and 30000 pixels in width (right to left and vice versa). The dimension of the natural connecting images 61 and 62 are not included. Depending of their format, the majority must be viewed with reduced light. Please view exhibitions. 

These high level visual communicative connecting images are part of this web site to support the game Vitockey, conceived from the same universal principles.  

P.S The great majority of these images have never been seen in public, partly because of their high level of visual communication (conservation of cerebral  energy in order to stimulate exploration) and the difficulty of collaboration with the leaders of visual sensory information.  

explanations, words and or images

file and date published



(height, width and size)




© Information concerning the copyrights and signatures of this web site.

Connecting image 2 A is at the origin of the signature for the majority of the PDFs.



List of CONNECTING IMAGES & COMPARISONS. Last updated in December 2015.

288 kb    


NOTICE, when you have two buttons:

LEFT BUTTON: The files are for reduced performance computers, to keep the fonts clear, increase the image size by approximately 15%. 

RIGHT BUTTON: For medium and high performance computers. The fonts will stay clear at any size.

There might be a slight difference in color between the two. 

The passage from some of the small images to the others inside the different files is not as fluid or complementary as the natural elements described in TRANSITION or the connecting images 2-10, 12-40 and 48-60 (handmade images). This will result in some minimal cerebral energy loss because the images are small and STATIC.

The following list of files can help introducing the definition of unified sensory information.



CONNECTING IMAGES (31-40, 48-50, 57-60)









Connecting image 71A(1a) As76, this sculpture - temporarily entitled “Guardian of the Golden Rule” - and the connecting images 61 and 62 influenced connecting image 71. The images are views from the front and above.



T Fr-En 1




Connecting image 71A(1b) As76 (continued), the images are views from different angles.



More information in 2018

EXCERPTS from 1-30, 31-40, 48-50, 57-60 (sculptural & total organizations)


COMPARISONS 41-47, 51-55, and TRANSITION versus man-made 1-



Sensory information of everyday life is the accumulation of personal experiences and those shared with others.

Theory: Unified sensory information of a parallel environment that lets the participants progress toward knowledge.

Theory: Disconnected sensory information of a non parallel environment that forces the participants to almost constantly try to find the parts that can ease passage between the unprepared oppositions

 (the "anything goes" or almost).


PDF  5/2012  

Who decide when it comes to sensory information ?

3000 x 750

1.03 mb



In the images above, 3 replicas of  "Family", the smallest form symbolizes a new born child or innocence. The curve facilitates the transition from LARGE (mother and father) to SMALL (the child), center (pine and white wood) and the sides (pine and virtual), 1984-2007.

It is an excerpt from the unique connecting image 10 B.

Unique because a sculpture (3 D) is enlarged using drawings (2 D). Explanations in French accompanied by a word file for translation.

The seven images are in a zip file, (505 kb).

Information about the Golden rule: http://en.wikipedia.org/wiki/Golden ratio

For emailing the research center Vitockey: rc@vitockey.com

and for malfunctions with this site: connections-links@vitockey.com

Wishing you unified sensory information, 

Jean-Jacques Giguère

visual name          resume (pdf 12/2015)           connecting images (pdf 12/2015)

More than 80,000 hours of research, mainly in solitude, brought me to the following conclusion:

Sensory information will play a key role toward global unification.

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